The world is changing, and people do not want the same things as before. Lacquered - finish nylon was used to clad long coats whose down panels were interlinked by Williams - at - Alyx's trademark hardware, and extreme - collar tabard tops were presented in latex to create an impression that mixed the vaguely industrial with the vaguely Moncler Sale kinky.
This season's new additions are Matthew Williams of 1017 Alyx 9SM and London phenom Richard Quinn; returning are Craig Green, Simone Rocha, Francesco Ragazzi of Palm Angels, Hiroshi Fujiwara of Fragment, Pierpaolo Piccioli of Valentino, as well as Moncler 1952's Sergio Zambon and Moncler Grenoble's Sandro Mandrino. And there are no puffer jacket - sized boundaries on what they can create.
Moncler's classic codes were set down in the mid - century, when recreational skiing and mountain exploration was beginning to boom. In the first section pictured here, Green's models each stood within what looked like a newspaper printing press.
It's about coming together, embracing, feeling, and love in a pure sense. The imagery needed to feel not just like a portrait, but rather like a moment in time. We created an environment for the faces of the campaign to be comfortable in, and to express themselves in an affectionate way.
The centerpiece of the new space is an impressive central staircase that connects the two floors almost like a ribbon with a sinuous helical shape. The imagery needed to feel not just like a portrait, but rather like a moment in time.